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Fukri
A wacky comedy, Fukri also has enough of tolerable melodrama and stunts. The initial few minutes of the movie makes you feel it’s a brainless comedy, but the story picks up pace once Nafsi steps in.
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Ezra
The ‘horror’ sequences are few and far in between and don’t really blend with the story, and the general air is that of a normal story set in Kochi, except for the Jewish connections.
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Aby
The film is much more than an emotionally charged movie about an eccentric youngster and narrates the hardships he faces during his obsessive quest, convincingly.
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Veeram
From the onset of the film, the director doesn’t delve too much on Chandu’s (Kunal Kapoor) past, instead he chooses to show his valour as a warrior through a stunning duel sequence.
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Oru Mexican Aparatha
Oru Mexican Aparatha is not the typical campus film that Mollywood audience are used to. However, it's a film that the youth could identify with, and also takes an introspective look in student politics.
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Angamaly Diaries
While each moment in the film will strike a chord with the youth, it will make the elder viewers nostalgic with those mom-made cuisines, romances, which happen undercover and also those unfulfilled...
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C/O Sairabanu
The first half of the film establishes the kind of relationship between Saira and Joshua, and their unique story, which is a refreshing plot.
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Alamara
While the movie has some good laugh-out-loud moments, courtesy Manikantan, Saiju Kurup and Renji Panicker, the plot is predictable, making the movie a less engaging affair.
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Honey Bee 2: Celebrations
A bromantic comedy in which booze walks in as ‘touchings’ for every scene, Honey Bee 2’s plot is quite flimsy like its prequel, and banks on the aforementioned theatrics to entertain the audience.
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Take Off
The film’s strength apart from Parvathy’s stellar performance though is the script. Never once does it slack – despite the first half being a drama.
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The Great Father
The film is quite predictable and one can see parallels in the factors that unveil the antagonist even in a few other Malayalam films.
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Georgettan's Pooram
When someone like Dileep is on board, the minimum expectation is that the film offers some brainless, yet entertaining laugh-out-loud moments. However, the movie completely fails to offer quality...
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1971: Beyond Borders
The movie though doesn’t bank on Mohanlal’s superstar image. It is, rather, a Major Ravi film. The director makes it clear that the film would show the perspectives of the soldiers on both sides.
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Puthan Panam
Like in many of the recent Mammootty films, this too is a role constructed to win back the actor's numero uno position banking on his megastar appeal and evergreen, classy looks.
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Sakhavu
The Sidhartha Siva film aims at holding a mirror towards what defines a comrade worth his salt.
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Sathya
The scenes in which Jayaram tries to be ‘mass cool’ makes you feel sorry for the actor – there is hardly any conviction, style or spirit while he does the scene and you wonder whether he himself...
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Rakshadhikari Baiju Oppu
The wafer-thin storyline, unwanted sequences, sluggish pace and a climax that is obviously put together as they couldn’t find a better way to wrap-up the stray story, knocks the life out of the film.
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Comrade in America (CIA)
Dulquer is perfect as Aji – the impish charm adds to his character’s taunting persona while he balances that out with the innocence when confronted with the problems that he has no solutions for.
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Lakshyam
Within a few seconds into the movie, audience can sense that they are in for a thrilling ride sprinkled with comedy, as the film deftly balances the scenes of police chase, forest scares and Biju...
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Adventures of Omanakuttan
The film is packed with twists. However, most of them come after wearing down the patience of the audience.
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