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Sumesh & Ramesh

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Even the funny moments are not quite funny enough, and the actors seem to be struggling, because they are not sure of how to handle their parts

Michael's Coffee House

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Jisso Jose's powerful script keeps the audience keen about the suspense, which is nicely knitted in with family ties and the emotions

Vellaramkunnile Vellimeenukal

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The direction and script by Kumar Nanda loses grip at several points and the story lags

Ajagajantharam

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Ajagajantharam seems purely a movie for the sake of stunts and there is hardly the slightest sliver of a story holding together the fight sequences

Meow

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The film brings in messages about tolerance of other religions and communities, and also about not stifling children

Kunjeldho

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A campus romance and coming-of-age story

Djibouti

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For those thinking about holidaying in Africa, the film offers a glimpse into some picturesque locations in the country, featuring some of its chase sequences in its pretty beaches, valleys and even certain sunbaked stretches.

Vidhi: The Verdict

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Dinesh Pallath’s screenplay doesn’t give you any new dimension and it doesn’t really create a connect with the audience, till the second half

Oru Thathvika Avalokanam

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While the movie effectively pokes fun at political parties and their antics and elicits abundant laughter through the same, its proceedings, after a point, are too old school and cinematic to have an effect

Randu

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Aided by Binulal’s script, that has several clever moments and wonderful writing, debut director Sujith Lal weaves an engrossing story that is taut and tense at the right moments

Super Sharanya

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The film ably meets its intention of showing the personality development and maturing of Sharanya, and the other characters

Meppadiyan

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While there is an old-fashioned feel to the story telling, it moves along new paths that are twisted enough to keep us interested and also has us clenching our fists

Hridayam

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Hridayam tries to give a realistic, coming-of-age depiction of a Malayali's campus life in Chennai

Archana 31 Not Out

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The film deserves credit for staying free of extremely drippy sentimentality, which we have seen in films for years, when similar situations emerge on the screen.

Kallan D'Souza

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While the premise of blurring the lines between traditional roles of good and bad is interesting, the film is hardly well developed

Aaraattu

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Director B Unnikrishnan has put in every effort to give the film massy appeal, so basically, this is a film that rests on Mohanlal’s shoulders

Member Rameshan 9aam Ward

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Rameshan (Arjun Ashokan), a young painting labourer, is roped in as a candidate for local elections to everyone’s surprise. Though initially puzzled, he tries to do what he can to help his ward.

Veyil

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The film is centred around strained family relationships

Upacharapoorvam Gunda Jayan

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Though he was a goon in his past, Jayan is now a changed, family man. When his niece’s wedding function is planned despite her reluctance, Jayan is the ‘kaaranavar’ of the family, who has to ensure that everything goes smooth.

Bheeshma Parvam

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The film would be an entertaining outing for Mammootty fans and others looking for some déjà vu-worthy action drama story.
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