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Channel: Malayalam Movie Reviews, Latest Mollywood Review, Malayalam Movies | Entertainment - Times of India
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IDI

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With the strong backing of talented child actors, sensible storytelling and music, IDI establishes what being a cop means to Dawood, splendidly.

Pinneyum

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The focus of the film is apparently on the changes that the different events bring on the couple's relationship, but the outdated and predictable plot reduces the film to some kind of a farce.

Oppam

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The name Oppam suits the film to a T, and it also felt refreshing to watch some much-loved actors back again on the screen, right at the outset, like Innocent and Kaviyoor Ponnamma.

Oozham

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The film works more in moments than in its entirety - the flawless settings and catchy background music engages you but then, some of the scenes are repetitive and the chronology of events can be confusing at times.

Kochavva Paulo Ayyappa Coelho

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For those who have watched lots of inspirational flicks, there are occasions in the movie that can sound as pure cinematic fluff. But, Kochavva manages to retain interest through endearing characters.

Welcome to Central Jail

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A story that often veers into gross-out territory with some crass jokes and hardly funny situations, the film is a disappointment if it wants to call itself a comedy.

Oru Muthassi Gadha

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What works for Oru Muthassi Gadha is not that it presents the woman in new situations. It’s more or less the same drama, but director Jude Anthany Joseph has handled them all differently.

Olappeeppi

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Though the film is promoted as a movie that discusses the impact of land reforms, it mostly comes across as the tale of a man who escaped the clutches of people whom he rebelled against.

Thoppil Joppan

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A popcorn entertainer with a decent storyline, however, Thoppil Joppan isn’t a movie that fully depends on the cultural stereotypes alone, to say the story.

Pulimurugan

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The movie’s strength is a fleshed out story and pacy screenplay that takes its protagonist out of the wild and puts him in the world of ruthless men – a scenario where the hunter becomes the prey.

Kavi Udheshichathu?

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The film turns predictable in no time and what it survives on is a handful of moments of tomfoolery by a few in the supporting cast like Balu Varghese.

Aanandam

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The story has an average first half, a salt n pepper second half with some smashing music, interesting-but-expected cameos and moments that make you reminisce your college days.

Swarnakaduva

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The fleshed out script by Babu Janardhanan that has elements from the current socio-political scenario and Biju Menon’s one man show as the conniving opportunist are the pillars of 'Swarnakaduva'.

Kattapanayile Rithwik Roshan

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The movie, scripted by Vishnu and Bibin George, is predictable but it packs umpteen laugh-out-loud moments, especially with Dharmajan and Salim Kumar in top form.

10 Kalpanakal

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A decent comeback vehicle for Meera Jasmine who was on a hiatus, 10 Kalpanakal has what it takes to keep the audience satisfactorily entertained through its length.

Kuttikalundu Sookshikkuka

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The film takes itself too seriously and hence comes off as silly at the end of it – especially how the country’s most wanted has chosen a tourist site as his hiding place.

Marupadi

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Marupadi is a relevant film, asking the right questions, but falters in presentation.

Kaadu Pookkunna Neram

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There is not a dull moment in the entire film, and the catchy background music complements the pace of events.

Jomonte Suvisheshangal

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Jomon’s tale can definitely be a hit with the section of audience for whom elements like family sentiments, human traits of endurance, parent-child bond and the like means Malayalam cinema at its best.

Munthirivallikal Thalirkkumbol

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Mohanlal does a 180 degree after his previous release Pulimurugan with this movie, showing how versatile he can be. The first half hour has the actor in his subdued best as he goes through the motions.
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