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Channel: Malayalam Movie Reviews, Latest Mollywood Review, Malayalam Movies | Entertainment - Times of India
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Tiyaan

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Murali Gopy had promised a gender-bender and the movie has thumping action scenes, thought-provoking dialogues, political undertones and a story that is set in multiple periods and realities.

Ramante Edenthottam

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The beauty of the Edenthottam is definitely a major part of the movie, however, its heart is Malini’s journey of self-transformation.

Godha

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Tovino Thomas owns Godha, but it’s Wamiqa Gabbi who drives it forward. From the beginning, it’s her desire to make it big, charm and cuteness that fill the screen with thrill and muscle.

Achayans

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The first half of the script is filled with clichés that you would expect from a flick that shows that protagonists are here to have fun.

Careful

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Pre-interval, the film manages to keep you intrigued, about what exactly is going on with those who crossed path with Rachna. However, soon you realise that it’s all a build-up for nothing.

Oru Cinemakaran

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Even before the opening credits finish rolling, Oru Cinemakaran impresses you with some winsome comedy, beautiful songs and decent acting.

Avarude Ravukal

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A major part of the film is about how you should discover yourself and the ways and means towards the same. Here and there, you might be able to connect with incidents and people who entered your life at various junctures, only to influence you positively and leave you thoroughly transformed.

Viswasapoorvam Mansoor

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The film shows the true picture of how even your dear ones would turn against you if tagged a terrorist. However, the unbearable melodrama weighs down on the film heavily.

Thondimuthalum Driksakshiyum

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The film does not side with any character and seems to expect us to understand each of their situations. The story isn’t bigger than life, but it still tugs at your heartstrings.

Sunday Holiday

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Within a few minutes into the movie, you would be bombarded with umpteen characters and enough backstories for them. However, the director manages to gradually weave a picture giving them all due space.

Basheerinte Premalekhanam

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Aneesh Anwar is known to try refreshing themes for his movies and here too, he has managed to bring forth an interesting backdrop to the film – the arrival of television in our villages.

Minnaminungu The Firefly

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You can’t help an occasional lump in your throat or a drop of a tear, for the performance forces you to empathize with the lead character throughout the length of the movie.

Viswasapoorvam Mansoor

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The film shows the true picture of how even your dear ones would turn against you if tagged a terrorist. However, the unbearable melodrama weighs down on the film heavily.

Sarvopari Palakkaran

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Right in the first half, one wonders why there are so many story situations cropping up that don’t hint any value addition to the overall story progression.

Varnyathil Aashanka

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While you might walk in with the impression that Kunchacko Boban is the lead of this film, it’s Suraj’s character Dayanandan that shapes Varnyathil Aashanka into a satire worth its salt.

Chunkzz

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It’s better if those who can’t stand comedy with double entendre stay away from the film, as it’s packed with adult one-liners.

Thrissivaperoor Kliptham

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The strength of the film, which is a mix of comedy and drama, is the acting performances – from Chemban, who has amazing screen presence, Baburaj, who makes for a fun villain and Irshad.

Clint

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Though narrated in a vintage setting, the film balances out the elements well enough to focus on Clint rather than the ways of the times.

Honey Bee 2.5

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The film deserves applause for trying out something new, probably for the first time – churning out a movie from the set of another, real project!

Naval Enna Jewel

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The film does have a brilliant story, no doubt, with an unpredictable twist at the end but the way it is executed leaves a lot to be desired.
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